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Chinese Paintings: Capturing the Spirit of Nature with Brushes

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Traditional Chinese painting was fundamentally an abstract art form. Although there were no absolute abstract Chinese paintings in its original meaning, objects in a painting were not a direct copy of the nature world following the principles of perspective. It was rather a combination or harmony between the nature world and human emotion, a product of 'heaven (nature) and human'. The effect Chinese painters would like to illustrate in their paintings was not a visual effect of colors and patterns as their Western counterparts would like to achieve. The description of such factors as colors, principle of perspective, anatomy, surface feel, and relative size. What they would like to achieve was a world in their mind of non materials. The nature world was not an object for them to make a true copy and it was rather elements for them to build their own world.

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Ketersediaan

7085-2015-SC

759.951 LIN c

Secondary and Pre-University's Library (Secondary)

Tersedia - Bahasa Inggris

Informasi Detail

Judul Seri

Cultural Chinese Series

No. Panggil

759.951 LIN c

Penerbit

Beijing : China Intercontinental Press., 2010

Deskripsi Fisik

181p.;ill.;23cm

Bahasa

English

ISBN/ISSN

9787508516691

Klasifikasi

759.951 LIN c

Tipe Isi

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Tipe Media

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Tipe Pembawa

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Edisi

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Subjek

Seni Lukis China

Info Detail Spesifik

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Pernyataan Tanggungjawab

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Versi lain/terkait

Lampiran Berkas

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